![]() In real music we may find the raised degrees ascending and descending. In traditional music theory the melodic minor scale is presented with the raised VI and VII degrees when the scale is ascending while descending without the accidentals: Therefore, it is referred to as the melodic minor scale: The main purpose of this accidental is to facilitate the melodic movement from degree sixth to the seventh degree, avoiding the augmented second that is formed in the harmonic minor scale. The resulting scale is called the melodic minor scale. Raising that note forms the dominant chord or dominant seventh chord on the fifth degree of the scale:īesides raising the seventh degree, the sixth degree may also be altered. The resulting scale is referred to as harmonic minor scale because the raising of seventh degree is often harmonically motivated. The seventh degree of a minor scale is very often raised. Half-steps are found between degrees two and three and between fifth and sixth. In the natural minor scale, all notes appear with the same accidentals as in its relative major. Melodic minor is a beautiful and important sound in Jazz which you want to have in your vocabulary, but it can be a little difficult to internalize the. Those variants differ in the manner degrees sixth and seventh are altered. However, it has three variants: the natural minor, the harmonic minor, and the melodic minor. The All melodic minor scales page contains piano diagrams and key signatures for all melodic minor scales.Just like the major scale, the minor scale has seven notes. In European classical music, the scale follows one interval pattern ascending and a different interval pattern descending. The example below, Eb melodic minor scale, uses the key of E-flat. The melodic minor scale is a variation on the natural minor scale that emerged primarily because of its melodic functionality, as opposed to its cousin, the harmonic minor scale, which developed based on its harmonic functions. To understand the frequency relationship between a tonic and its octave note, have a look at the Chromatic scale overview. The 8th and final note in the diagram is the octave note, named the same as the tonic note, and is the note where the scale and tone / half-tone pattern rule starts repeating all the way up the piano keyboard.īe aware that when descending this scale, sometimes the notes of the Eb natural minor scale are played instead. So in the example below, we are interested in the melodic minor scale in the key of E-flat. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. The answer is an enthusiastic YES and in this video I show you how. ![]() To count up a Whole tone, count up by two physical piano keys, either white or black. A student asks whether harmonic minor and melodic minor scales are included in IFR. The first note in the diagram below (*) is the tonic note, from which the counting pattern begins. The melodic minor scale is used a lot in jazz theory textbooks and classroom settings because it’s a great way to conceptualize improvising over some more unique chords and chord extensions. ![]() The melodic minor scale uses the W-H-W-W-W-W-H note counting pattern to identify the scale note positions. StructureĪ melodic minor scale in a given key is similar to the Natural minor scale in the same key, except that both the 6th and 7th notes are raised by 1 half-tone / semitone to arrive at the melodic minor scale. This page shows the structure of a melodic minor scale, with examples.
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